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The Lost Girl by Sangu Mandanna (Goodreads Author) txt ibooks ipad

نویسنده: Justin Grichang   

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Book description

Holy crap!! I need a moment to wipe the stupid grin off my face and take a deep breath so I can give this amazing book the proper review it truly deserves. *breathes into brown paper bag while heart rate settles* Ok, with that (hopefully) out of the way, I have to hand it to Sangu Mandanna, she played all her cards right, The Lost Girl is an evocative dystopian that deftly tackles so many complicated themes - identity, loss, grief - through so many rich and complex characters that I’m still lost in a jumble of emotions. Be prepared for effusive praise.The premise alone opens the door to so many questions. Eva’s an echo, a creation of the Weavers, a copy of another girl, Amarra, intended to replace her if she ever dies because her parents can’t imagine ever letting go. But who is Eva, really? An individual in her own right or just a copy of Amarra? Can she really replace Amarra when that girl dies? Is creating an (imperfect) copy the best way to cope with the death of a loved one? Is it morally right to make a copy of someone and expect the copy to step in, assume a borrowed life, when the original dies? So many questions, and Mandanna brilliantly answers all of them. And her answers, they’re not presented in some obvious manner like through preachy narration or lecturing dialogue, rather they’re subtly, skillfully, and powerfully woven into the story. Whether it’s Eva’s struggle to become Amarra or the reactions of Amarra’s family and friends to Eva’s presence, it all makes The Lost Girl a multilayered yet unforgettably emotional story that had me rooting for Eva from beginning to end.And why wouldn’t I, Eva is such a complex character. For once, I’m glad Mandanna didn’t take the easy way out, like writing Eva as Amarra’s clone, because, as an echo, Eva’s much more than just a physical copy of Amarra – she’s connected to Amarra in other ways too, like in dreams. There’s no real sense of where one person ends and the other begins, so Eva’s struggle to develop an identity for herself, distinct from Amarra’s, like questioning whether she loves Amarra’s boyfriend Ray or if those emotions are really Amarra’s, it’s all a wonderful soul searching journey of self discovery. At times, Eva herself isn’t sure if she’s really a different person from Amarra - the Weavers’ goal for echoes after all is for the echo to eventually be like a replacement body for the original’s soul, and watching her as she first figures out her own identity, then convinces others to accept her as a different person, and finally challenges the system that treats echoes as mere replacements is the highlight of the book.Along the way, Eva’s supported by an impressive cast of memorable supporting characters. At the top of the list is Sean, the Guardian who watches and protects her before she steps into Amarra’s life after that girl’s death. He may seem like the standard protective love interest common in dystopians, but he’s the character that really helps Eva find her own identity and as a result his relationship with Eva, even if she’s too dense to notice at first, stands out beyond just the typical forbidden romance in a way that makes the ending, an amazing fountain scene, truly bittersweet and satisfying. But others, like Erik and Mina Ma, also stand out just by how much they clearly love Eva, even when they can’t say the words, despite her being an echo. And once Eva slips into her role of Amarra, her new friend, Lekha, wow what a cool, understanding, and very funny friend, accepting of Eva’s echo status even when many others aren’t. This deep support system of all these characters who care about Eva as her own person just adds another layer to Eva’s story as she tries to distinguish herself from Amarra.Of course, Eva becomes Amarra because Amarra’s family isn’t willing to deal with losing her, and it’s interesting, and realistic, that Eva gets a range of reactions upon her arrival. I liked seeing the different coping mechanisms coming from Amarra’s family, her father Neil’s instant recognition that Eva isn’t Amarra, her mother Alisha’s adamant belief that Eva is Amarra returned to life, and her siblings Nik and Sasha’s slow acceptance of Eva’s presence. The entire situation, Amarra’s death and Eva’s identity slowly filtering through the family, it’s quite moving really. And of course, Ray, Amarra’s boyfriend. I don’t think I’ve ever seen so many conflicting emotions from one character, guilt for causing Amarra’s death, hope that Eva is somehow Amarra, fear that he may be falling for Amarra’s replacement. It all profoundly shows how death affects the loved ones left behind.Eva’s struggle for individuality comes to a head as she’s forced to confront her status as Amarra’s echo, with rejection meaning death. Her fate lies in the hands of the Weavers, and I’m grateful that even Adrian Borden, Matthew Mercer, and Elsa Connelly, the three who hold Eva’s future in their hands, are interesting, complex, and even tragic characters who aren’t truly villains even if they are not on Eva’s side. Elsa’s capable of showing compassion, Matthew surprised me with the games he played, and even Adrian, the coldest of the three, isn’t some stereotypical fiend but has motivations behind his character. The choices they present Eva makes her battle for survival against all odds all the more moving.I’m gonna borrow a cheesy line and say I felt powerful emotions throughout this book, but I swear it’s true. So many things are going on, with Eva, with Amarra’s friends and family, with the Weavers, I have to say The Lost Girl is a book with massive depth. When a dystopian offers not just an interesting premise and a multitude of emotions but also boldly confronts the moral dilemmas it presents, it deserves every single word of glowing praise in this review and more. Simply amazing.

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